The question of line depth and how it changes the viewer’s perception play out especially in the exhibition’s white gesso and clay reliefs. Lorraine Tady · Issue 9 ·
Although Sub-Saharan Africa holds 60% of the world’s not-yet-cultivated arable land, food scarcity is a top concern, particularly in view of the worsening climate crisis.Meaghan Emery · Issue 9 ·
Hildegard Bechtler’s minimalist sets, centered around a revolving circular platform and high, unadorned walls, never distracted from the importance of the text and provided the opportunity for the nuns to be the center of attention. Her postmodern, industrial design felt vacant and made the cloistered nature of the convent palpable.Samuel I. Grosby ·
According to the sages, God begins with one and not two, so that no one can say to another, “My side of the family is better than your side of the family”: there is only one side of the human family, with all the ethical obligations that come to bear in being part of the human family. David Patterson · Issue 8 ·
The ability to see patterns is predictive of a strong belief in them, which can easily become a faith in the unseen workings of power.Diane Purkiss · Issue 9 ·
Robert Adams, Beauty in Photography: Essays in Defense of Traditional Values. Aperture Foundation, 112pp., $17 paper.
Sigrid Undset, Olav Audunssøn I: Vows. Translated by Tiina Nunnally. Minneapolis: University of Minnesota Press. 376 pp., $18 paper.
Grimaldi, Mario. The Painters of Pompeii: Roman Frescoes from the National Archaeological Museum of Naples. Mondo Mostre, 185pp., color ills., $60 cloth.