Reviews

Redemption is Possible

Ruth is about all those components of a nation: family, clan, townsmen, the interaction of citizens and foreigners, and all of these acting in relationship to the law, or to God’s words. “It is a prosaic story of ordinary life… whose raison d’être is to enact the sanctification of everyday life in the home, on the land, and with one’s neighbors.” Daniel Asia ·

Africa Rising

Although Sub-Saharan Africa holds 60% of the world’s not-yet-cultivated arable land, food scarcity is a top concern, particularly in view of the worsening climate crisis.Meaghan Emery · Issue 9 ·

Gambling, Debt, and Literary Fortune

Dostoevsky lost everything at the Wiesbaden casino, but the episode seemed to finally reveal to him the true depth of his habit, that it threatened not only his marriage but the life of his wife.Benjamin Shull · Issue 7 ·

Climate of Violence

Our intelligence is multiple, fractured, and spread across billions of people and thousands of institutions. Adam Briggle · Issue 7 ·

What a Nation Isn’t

Recognizing the distinction between unity and uniformity—between, on the one hand, a national unity made up of divergent traditions and, on the other, an unrealistic national uniformity that is rarely manifested except during brief, unsustainable periods of patriotic enthusiasm—is an elementary prerequisite for cultural history and analysis.Steven Grosby · Issue 7 ·

Against Linear History

To be modern is to privilege the present over the past.David Hawkes · Issue 7 ·

The Land, the People, and the Law

Coke and Selden understood that law is also to be understood as part of a nation’s history.Daniel Asia ·

A Sketch by God the Painter?

When in the fourteenth century a French knight displayed to pilgrims what he claimed was the blood-stained shroud of Christ, naturally that discovery attracted a great deal of interest.David Carrier ·

Bringing the history of Naples back to life in a great public art museum

With over 150 opera costumes from the San Carlo opera house, many of them on mannequins, and more than 300 porcelain objects from the Royal Factory of Capodimonte, this was a very Neapolitan exercise in its overstimulation. David Carrier ·

Dave Hickey Now

Oppenheimer’s introduction tells the story of Hickey’s unrealized book project Pagan America—a country of a “large, secular, commercial democracy,” united by shared icons across cultural strata.Julia Friedman · Issue 7 ·

Recent String Quartets

The stillness of Shulamit Ran’s high harmonics, and fragments and sequences of unrelated materials, seem to represent the disjointed, depleted nature of mind when confronted with the destruction of the bodily self.Daniel Asia · Issue 6 ·

Religious Heresy, Liberalism, and Political Philosophy

By not knowing, the recent positions taken by political philosophers over the nature of justice repeat, but superficially so, those much earlier theological arguments over sin and free will.Steven Grosby · Issue 6 ·

How To Think Outside, Around, In Between, and Beyond the Box

From metaphor to material, humankind has used containers of some sort for the past 200,000-400,000 years. Lydia Pyne · Issue 6 ·

Better Lives Through Reading

Reading opens us up to a topsy-turvy, funhouse-mirror, Alice in Wonderland universe where we follow in wonder every hint of the hero, intermittently puzzling over what our author is doing.Jonathan Hartmann · Issue 6 ·

Love, Envy, and Revenge

Titian invites us to empathize with antiquity and to humanize it. Brian Allen · Issue 6 ·

Like Magic

A book arrives to readers already finished. If we allow ourselves to be mystified as we age, we might wonder at the object in our hands.Ben Lewellyn-Taylor · Issue 6 ·

Aeneid Wars

French departments do not stop teaching French literature after Moliere and Racine, Italian departments do not stop teaching Italian literature after Dante and Petrarch, so why do almost all classics departments feel they have no duty to study and teach Latin literature after Juvenal, Martial and Seneca?A. M. Juster · Issue 6 ·

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